What Really Goes Into My Work Each Week
A couple of weeks ago, I spent thirty minutes sitting in my dermatologist’s parking lot editing content, organizing files, and paying invoices.
That’s just one moment in a random day, but it says a lot about how I work as a full-time OnlyFans creator. If there’s time to get something done, I’ll use it wherever I am.
I’ve never been a particularly typical person, so it tracks that my life doesn’t have typical days. I might be working at my desk one day, then loading equipment and bags of clothes into a car the next. A shoot can produce hundreds of pieces of media, which I then deal with wherever I can open my laptop, from hotel rooms to parking lots.
My weeks rarely look the same, but the responsibilities don’t really change. I’m still creating content, staying connected, and running my business.
There’s definitely no 9-to-5, Monday-to-Friday routine in my life. And I wouldn’t change a thing.
I Plan My Weeks Months in Advance
Planning one trip around XBIZ Amsterdam involved coordinating dinner with my PR team at Siren Group, penciling in a newspaper interview, and working out what OFTV content I could film during the trip. I was also considering a podcast recording in London beforehand and more OFTV filming in Scotland afterward.
I map out days for travel (filming along the way), OFTV and YouTube shoots, creator collaborations, and networking. My Google Calendar is basically the control center for my life. My assistant has access and keeps track of what’s happening. One of my closest friends has access too, mostly so someone I trust always knows where in the world I am.
I also share a separate calendar with a Scottish creator I work with regularly. She travels almost as much as I do, but it helps us find time to get together about once a month.I usually handle bookings on a first-come, first-served basis.
Once you’re on my calendar, you’re on my calendar. Obviously, unexpected problems can mean plans have to change, but I won’t ask someone else to reschedule just because another offer comes along. Only a genuinely exceptional, one-off opportunity would make me consider it.
Photo Shoots and Collab Houses
Before a shoot with a photographer, I usually send over mood boards and shot lists. I plan the outfits, keep track of each look, and make sure the styling fits the concept and location. I genuinely love putting looks together.
For one shoot in Australia, I’d already bought some outfits and worked out the general vibe before I arrived. The photographer handled the equipment and technical setup. My final bit of preparation was much more fun: another two or three hours of shopping once I got there.
Together, we shot five or six looks while someone else captured behind-the-scenes footage. Some of it was filmed on an old VHS camera, which gave it a completely different feel. It looked really cool.
On a two-day collab with several other creators in Palm Springs, we hired a photographer, but I still brought all my own production equipment. I loaded the car a couple of days before the trip with two large lights and softboxes, plus the rest of the gear I needed. I like making funny content too, so I had a few reel ideas in mind and bought the props for them.
I also packed plenty of outfit options because I never know what everyone will want to film. For Palm Springs, that meant two enormous duffel bags full of clothes.
Palm Springs needed some reshuffling before we started filming. I adjusted the schedule and reorganized who would work together so we could make the best use of our time. The final plan looked a little different from the original one, but that’s part of producing a group shoot.
Sometimes the amount of content created is a bit overwhelming. After a recent group shoot in LA, I opened Dropbox and realized we’d ended up with around 150 reels from that trip alone. That didn’t include any of the behind-the-scenes footage. The two full days in Palm Springs produced roughly 400 pieces of media.With that much material, keeping everything organized is crucial. The end of filming is nowhere near the end of the work.
Editing, Uploading, and Organizing Everything
After a shoot, I work through everything we filmed and make sure each file ends up in the right place.First, either my assistant or I review the content and cut clips from it. I then organize everything into the right folders.
Some of the material features other creators because we film behind-the-scenes content for them too. Those files have to be processed and uploaded separately so each creator can access their own content.
With so much material moving between people and platforms, I need to know what's ready, what still needs work, and where each file is stored.The rest of my work doesn't pause while I'm dealing with the files. I'm still answering messages and speaking with my PR team.
When I'm filming YouTube or OFTV videos, I try to upload the footage to my editors that same day. I often do that from my hotel room. Once everything is safely uploaded, I can clear the SD cards without mixing anything up or deleting something I still need.
I still edit plenty of other videos myself. I used to carry a huge, powerful laptop to do it. It worked beautifully but weighed what felt like half a person. I eventually switched to a MacBook that fits in my purse.
When I have the choice, I prefer my desk. I have a large monitor, a second screen, and proper lighting. For meetings, I use a real camera rather than a webcam. That matters when I'm speaking to journalists or recording an interview. The footage may end up on a website or social media, so I want it to look professional.
I schedule my own posts on OnlyFans, along with some content for Facebook, YouTube, and OFTV. Instagram is a little different. Scheduled posts don't seem to perform as well for me, so I post manually and engage with people there every day. Instagram feeds into everything else I do.
Staying Connected With My Community
Interacting with my fans is one of the most important parts of what I do. I like being able to show people more of who I am beyond the photos and videos.
The audience I built on TikTok was what led me to OnlyFans in the first place. My fans have helped shape my career, and I don’t take that support for granted.
Some weeks I have more time to chat than others. When I’m traveling, I fit those conversations around everything else, but I still make time to stay connected. Posting is the visible part, but the conversations matter too. They help me understand which parts of my life and work people are most interested in.
Analytics adds another layer, and my math brain genuinely loves the data. The numbers reveal patterns across my audience and have led me to make real changes in how I run my business.
Travel Is Often Part of the Job
Travel days and content days tend to do double duty for me because I film so much along the way. A day exploring somewhere new might include vlogging, filming for OFTV, or meeting another creator. I’m often looking for possible shoot locations at the same time.
If I’m driving, the car may be packed with lights, clothes, and props as well as my luggage. Once I reach the hotel, it becomes my temporary workspace and somewhere to get organized for whatever’s happening next.
Airplanes are the exception. Some of my content is explicit, and I don’t always know whether a video will go in that direction until I start editing. I’d rather not accidentally flash the person in the next seat, so I avoid working during flights.
I don’t pay for Wi-Fi either. Being completely unreachable gives me one of the few stretches of time when nobody can contact me. I read instead and can sometimes finish an entire book before landing. It’s very peaceful.
Once I land, I’m back online, and everything starts moving again. There’s usually footage to upload and another commitment already waiting.
Staying Healthy Helps Everything
Despite how random my schedule can be, fitness is a priority. I find a way to stay active even when the week looks nothing like the one before it.
When I’m home, I usually work out three or four times a week, and I love lifting and feeling strong. When I’m traveling, movement is often built into the workday. I might spend hours walking between locations or hiking to somewhere I want to film. As long as I get some exercise in, I know I’m looking after myself physically and taking care of my mental health too.
Meals and workouts have to fit around the day’s schedule, especially on busy travel days. Filming may push a meal later than planned, while being on the road can change when I sleep. I adjust rather than forcing a fixed routine. I want enough energy for my work, with some left over for fun.
The Business Side People Don't See
Creating content is only one part of running my OnlyFans business. Every week also brings emails, invoices, and opportunities that need following up. These can include potential brand collaborations as well as media and creator projects. There’s always something to organize and usually something new I need to learn.
I taught myself how to use my cameras, and I still do plenty of my own video work. But there’s now far more work than one person could manage alone.
My assistant, social media manager, and PR team handle different areas of the business. I also work with people at OFTV and a YouTube editor, while photographers and production assistants are involved in individual shoots. On any given day, I might be texting ten or fifteen people who are all working on different things.
Finding the right support has been an evolving process as everything gets busier. I hire help wherever I can because there simply aren’t enough hours in the day to do it all myself.
Outsourcing helps, but it doesn’t mean I hand over a task and forget about it. I still have to answer questions, make decisions, and make sure everyone has what they need.
Then there’s the admin behind every trip and production. I pay invoices, upload receipts, and record every mile I drive. Taxes are insane. If I don’t keep track of those details as I go, they’ll become a much bigger problem later.
At the same time, I’m always looking ahead. If someone invites me to appear in a YouTube video or work with a group of creators and I can make it work, I say yes. Every project introduces me to new people or strengthens relationships I already have. That often leads to another invitation, and being willing to say yes has been a huge part of building my career.
Having support has made it possible for me to take on bigger projects, but it’s also changed my role. I’m not only creating content anymore. I’m coordinating the people and schedules, and making the key decisions behind each project too.
Wrapping Up the Week
I don’t have a neat Friday-afternoon ritual where I turn off my computer and declare the week complete. I’m usually checking what we finished, what still needs attention, and what’s already coming up next.
After Palm Springs, my assistant took one look at everything waiting for us and said, “You should take a week off.”
The thought of it made me laugh.
I know taking time off matters, but I also know I need to stay consistent to maintain my momentum. A whole week away from work just isn’t realistic for me right now.
The pace can be intense, but I genuinely enjoy the variety. I get to create, travel, and work with all kinds of people. I also use my mathematics background to dig into the data and decide where to take the business next. It’s an unusual mix, but it suits me.
So what does a typical week as an OnlyFans creator look like? For me, there really isn’t one. The location changes, the project changes, and the schedule gets rearranged. What stays the same is the work required to make all of it happen.
Curious about the rest of my kinda quirky life? Keep exploring the site to see where else I’ve been and what I’ve been working on. You can also follow me online for the latest.
